DEATH METAL (1985-present)
Death Metal is an extreme sub-genre of heavy metal music. It typically employs heavily distorted and low tuned guitars, played with techniques such as palm muting and tremolo picking, deep growling vocals and screams, aggressive, powerful drumming featuring double kick or blast beat techniques, minor keys or atonality, abrupt tempo, key, and time signature changes and chromatic chord progressions.
Building from the musical structure of Thrash Metal and early Black Metal, Death Metal emerged during the mid-1980s. Bands such as Venom, Celtic Frost, Slayer, and Kreator, were important influences on the genre’s creation. Possessed and Death, along with bands such as Obituary, Autopsy and Morbid Angel, are often considered pioneers of the genre. In the late 1980s and early 1990s, Death Metal gained more media attention as popular genre niche record labels like Combat, Earache and Roadrunner began to sign Death Metal bands at a rapid rate.
Instrumentation – The setup most frequently used within the Death Metal genre is two guitarists, a bass player, a vocalist and a drummer often using “hyper double-bass blast beats”. Although this is the standard setup, bands have been known to occasionally incorporate other instruments such as electronic keyboards. The genre is often identified by fast, heavily distorted and low tuned guitars, played with techniques such as palm muting and tremolo picking. The percussion is usually aggressive and powerful.
Vocals – Death Metal vocals are referred to as death growls; hoarse roars/snarls. Death growling is mistakenly thought to be a form of screaming using the lowest vocal register known as vocal fry, however vocal fry is actually a form of overtone screaming, and while growling can be performed this way by experienced vocalists who use the fry screaming technique, “true” death growling is in fact created by an altogether different technique. The three major methods of harsh vocalization used in the genre are often mistaken for each other, encompassing vocal fry screaming, false chord screaming, and “true” death growls.
Lyrics – The lyrical themes of Death Metal may invoke slasher film-stylized violence, religion (sometimes Satanism), occultism, Lovecraftian horror, nature, mysticism, mythology, philosophy, science fiction and politics, and they may describe extreme acts, including mutilation, dissection, torture, rape, cannibalism and necrophilia.
Emergence and Early History
English heavy metal band Venom, from Newcastle, crystallized the elements of what later became known as Thrash Metal, Death Metal and Black Metal, with their 1981 album Welcome to Hell. Their dark, blistering sound, harsh vocals, and macabre, proudly Satanic imagery proved a major inspiration for extreme metal bands. Another highly influential band, Slayer, formed in 1981. Although the band was a thrash metal act, Slayer’s music was more violent than their thrash contemporaries Metallica, Megadeth, and Anthrax. Their breakneck speed and instrumental prowess combined with lyrics about death, violence, war, and Satanism won Slayer a rabid cult following. According to AllMusic, their third album Reign in Blood inspired the entire Death Metal genre. It had a big impact on the genre leaders such as Death, Obituary, and Morbid Angel.
Possessed, a band that formed in the San Francisco Bay Area during 1983, is described by Allmusic as “connecting the dots” between Thrash Metal and Death Metal with their 1985 debut album, Seven Churches. While attributed as having a Slayer influence, current and former members of the band had actually cited Venom and Motörhead, as well as early work by Exodus, as the main influences on their sound. Although the group had released only two studio albums and an EP in their formative years, they have been described by music journalists and musicians as either being “monumental” in developing the Death Metal style, or as being the first Death Metal band.
During the same period as the dawn of Possessed, a second influential metal band was formed in Florida: Death. Death, originally called Mantas, was formed in 1983 by Chuck Schuldiner, Kam Lee, and Rick Rozz. In 1984 they released their first demo entitled Death by Metal, followed by several more. The tapes circulated through the tape trader world, quickly establishing the band’s name. With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene. The fast minor-key riffs and solos were complemented with fast drumming, creating a style that would catch on in tape trading circles.
Schuldiner has been credited by Allmusic’s Eduardo Rivadavia for being widely recognized as the “Father of Death Metal”. Death’s 1987 debut release, Scream Bloody Gore, has been described by About.com’s Chad Bowar as being the “evolution from Thrash Metal to Death Metal”, and “the first true Death Metal record” by the San Francisco Chronicle. Along with Possessed and Death, other pioneers of Death Metal in the United States include Macabre, Necrophagia, Master, Massacre, Immolation, Cannibal Corpse and Post Mortem.
By 1989, many bands had been signed by eager record labels wanting to cash in on the subgenre, including Florida’s Obituary, Morbid Angel and Deicide. This collective of Death Metal bands hailing from Florida are often labeled as “Florida Death Metal”. Death Metal spread to Sweden in the late 1980s, flourishing with pioneers such as Carnage, God Macabre, Entombed, Dismember and Unleashed. In the early 1990s, the rise of Melodic Death Metal was recognized, with bands such as Dark Tranquillity, At the Gates, and In Flames.
Death Metal’s popularity achieved its initial peak between the 1992-93 era, with some bands such as Morbid Angel, Cannibal Corpse, and Obituary, enjoying mild commercial success. However, the genre as a whole never broke into the mainstream. The genre’s mounting popularity may have been partly responsible for a strong rivalry between Norwegian black metal and Swedish Death Metal scenes. Fenriz of Darkthrone has noted that Norwegian black metal musicians were “fed up with the whole Death Metal scene” at the time. Death Metal diversified in the 1990s, spawning a rich variety of subgenres which still have a large “underground” following at the present.
Origin of the Term
The most popular theory of the sub-genre’s christening is Possessed’s 1984 demo, Death Metal; the song from the eponymous demo would also be featured on the band’s 1985 debut album, Seven Churches. Another possible origin is a fanzine called Death Metal, started by Thomas Fischer and Martin Ain of Hellhammer and Celtic Frost. The name was later given to the 1984 compilation Death Metal released by Noise Records. The term might also have originated from other recordings, such as the demo released by Death in 1984, called Death by Metal.
Many bands can easily be placed in two or more of the following categories, and a band’s specific categorization is often a source of contention due to personal opinion and interpretation.
Melodic Death Metal – Scandinavian Death Metal could be considered the forerunner of “Melodic Death Metal”. Melodic Death Metal, sometimes referred to as “Melodeath”, is traditional heavy metal mixed with some Death Metal elements. Unlike most other Death Metal, Melodeath usually features screams instead of growls, slower tempos, much more melody and even clean vocals are heard at rare times. Carcass is sometimes credited with releasing the first Melodic Death Metal album with 1993’s Heartwork, although Swedish bands In Flames, Dark Tranquillity and At the Gates are usually mentioned as the main pioneers of the genre and of the Gothenburg Metal sound.
Technical Death Metal – Technical Death Metal and “Progressive Death Metal” are related terms that refer to bands distinguished by the complexity of their music. Common traits are dynamic song structures, uncommon time signatures, atypical rhythms and unusual harmonies and melodies. Bands described as Technical Death Metal or Progressive Death Metal usually fuse common Death Metal aesthetics with elements of Progressive Rock, Jazz or Classical Music. While the term Technical Death Metal is sometimes used to describe bands that focus on speed and extremity as well as complexity, the line between Progressive and Technical Death Metal is thin. “Tech Death” and “Prog Death”, for short, are terms commonly applied to such bands as Nile, Edge of Sanity, and Opeth.
Death-Doom is a style that combines the slow tempos and melancholic atmosphere of Doom Metal with the deep growling vocals and double-kick drumming of Death Metal. The style emerged during the late 1980s and gained a certain amount of popularity during the 1990s. It was pioneered by bands such as Autopsy, Winter, Asphyx, Disembowelment, Paradise Lost, and My Dying Bride. This style spawned the more extreme subgenre of Funeral Doom Metal, which is even slower and more atmospheric.
Goregrind, Deathgrind and Pornogrind are styles that mix the intensity, speed, and brevity of Grindcore with the complexity of Death Metal. They differ from Death Metal in that guitar solos are often a rarity, shrieked vocals are more prominent as the main vocal (though death growls are still utilized and some Deathgrind bands make more use of the latter vocal style) and songs are generally shorter in length, usually between one and three minutes that keep with Grindcore’s tradition of short time lengths in songs. All three of these styles differs from Grindcore in the more technical approach and less evident Hardcore Punk influence and aesthetics. Some notable examples of Deathgrind are Brujeria, Cattle Decapitation, Cephalic Carnage, Pig Destroyer, Circle of Dead Children, Rotten Sound, GUT and Cock and Ball Torture.
Deathcore – With the rise in popularity of Metalcore, some of its traits have been incorporated into Death Metal. Bands such as Suicide Silence, Carnifex and Salt the Wound combine Death Metal with a variance of Metalcore influence. Characteristics of Death Metal, such as fast drumming (including blast beats), down-tuned guitars, tremolo picking and growled vocals, are combined with the screamed vocals, melodic riffs and breakdowns of Metalcore. Decibel magazine stated that “one of Suffocation’s trademarks, breakdowns, has spawned an entire metal subgenre: Deathcore.”
Death ‘n’ Roll is a style that combines Death Metal’s growled vocals and highly distorted detuned guitar riffs along with elements of 1970s Hard Rock and Heavy Metal. Notable examples include Entombed, Gorefest, Avatar and Six Feet Under.
Blackened Death Metal is a style that combines Death Metal and Black Metal. Examples of Blackened Death Metal bands are Belphegor, Behemoth, Akercocke and Sacramentum.